Errm, sorry to disagree, but NO!
ER was original and often unpredictable. Grey's Anatomy is neither of those things.
What the series DOES have going for it is this: a central core of strong characters, around which the all-too-familiar stories can be told; a gentle sense of humour that will appeal to fans of the superior The Gilmore Girls; and high production values that put most British drama series to shame.
Earlier this week Grey's Anatomy was nominated for an Emmy (or maybe even a couple - I'm too lazy and disinterested to go check!) In a year that didn't see the similarly medically-themed House nominated, this seems an odd lapse of judgement on the part of those responsible for deciding such things.
The series is full of the usual 'pretty' leads. The 'Grey' of the title is Meredith, who's single and slutty, and sleeps with her boss, the over-worked but somehow still buffed-up, Doctor Shepherd, the night before she starts work (before she realises he is her boss). Her fellow interns comprise stock characters guaranteed to be useful for future storylines. There's the hard-working ethnic girl who seems harsh on the surface but is kind-hearted underneath. There's the pretty but stupid jock character who everyone dislikes, but turns out to have come from an abusive home and been misunderstood. There's the stunningly attractive underwear model who we're expected to believe is actually 'trailer trash' forced to do those underwear 'glamour' ads to get money to pay her way through medical school. There's the 'nerd' guy with the heart of gold who hangs out with the women all the time and just wants the lead character to fall in love with him. There's.... well you get the picture! True-to-life this isn't, true-to-previous-cliches it is!
What disappoints most about each episode of this 'Ally McBeal meets ER' soap is that the writing never goes anywhere unexpected. It's as if the whole series was put together by a computer programme. Even the direction, whilst conforming to the functional, if predictable style of most 'prime time' US TV shows, comes across as tired and cliched. Just how many TV series do we need to see where each episode's act is book-ended by helicopter shots of the city at night? Why do shows HAVE to have a common theme for each episode so that eg where one character has a 'break up' with their partner, every other character has a break up of some sort (only to be miraculously reunited at the end) at the same time too? This is 'safe' programming of the worst not-true-to-life-at-all kind.
In the appallingly sparse 'Extras' the writers and producers talk about their big 'shock' reveal half way into the 14-episode 45-minute run, a reveal so 'surprising' I'd seen it coming in the very first episode. The season finale 'cliffhanger' is equally predictable and couldn't have been more clearly sign-posted if the opening credits each week had stated 'Someone has to choose between two people they're equally in love with - and can't'. This has all been done so many times before, and while the same old soap storylines are executed well here - does anybody REALLY need 14 more hours of what they've already seen countless times over? Grey's Anatomy is an easy watch, a way to unwind after a bad day at the office, and relatively enjoyable if you want to disengage the brain for 45 minutes at a time. But it's nothing more, and with a cast this strong, and production values this high, it all feels like a wasted opportunity.
Unlike House, which was massacred in its Region 2 DVD 4:3 'square' format release, Grey's Anatomy is at least presented in its originally transmitted widescreen format, with a clean anamorphic transfer. There's thankfully none of the murky, 'barely better than VHS' NTSC darkness and lack of contrast that other American shows like The West Wing have shown on DVD release. The price is reasonable too, although the packaging is poor - three DVD disks crammed onto a single spindle and of course not so much as an episode index. The menu's are particularly irritating with no more than two or three items ever appearing on a single menu screen so that you spend forever trying to navigate the few deleted scenes or episodes there are. A very short 'Making of' featurette is mainly an excuse to reshow clips from the series with just a few sound bites from the cast and crew, and an advertised 'Anatomy of a Pilot' appears to be just rough cut highlights of the aired episode spliced together without any introduction or commentary. Any modern 'prime time' TV series knows it's going to be eventually released on DVD and the makers should have been able to give us a lot more than they've given us here.
If you're an avid viewer of the likes of ER, Holby City or Casualty and missed this when it aired on cable, this is definitely worth checking out as a rental. For the rest of us, it's more a case of 'Nothing (new) to see here. Move along please'.